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A Divine Ambition

Notre Dame Cathedral has endured for more than eight centuries. Built to reflect the church’s spiritual reach, its audacious, towering walls and buttresses remain as much a marvel today as they were in the Middle Ages.

BY FERNANDO G. BAPTISTA,

TAYLOR MAGGIACOMO, ROSEMARY WARDLEY, EVE CONANT & PATRICIA HEALY

PUBLISHED JANUARY 18, 2022

Gargoyle 19th century

NOTRE DAME IN THE 14TH CENTURY

The cathedral was commissioned in 1163 by a landowning

clergy with power over much of Paris. By the 1300s, the city

had become France’s royal, judicial, and intellectual center.

2

2

3

3

4

4

FLYING BUTTRESS

ROSE WINDOW

CHOIR

1

1

ARCHBISHOP’S PALACE

NAVE

5

5

AISLE

1840s to ’60s, MAJOR RESTORATION

21ST-CENTURY LOSS

In 1831, The Hunchback of Notre Dame revived interest in the site. Renovations (in green) by architects Eugène- Emmanuel Viollet-le-Duc and his early partner, Jean-Baptiste Lassus, reflect their interpretations of medieval style.

Fire broke out under the roof of the cathedral on April 15, 2019, and burned for 15 hours. The roof and spire were lost, but firefighters saved the building

and precious relics.

4

4

1

1

The 28 colossal statues of biblical kings

were beheaded in the French Revolution and replaced in the 19th century.

Fearsome and whimsical, grotesques, or chimeras, are

19th-­century additions.

5

5

2

2

Bells, encased in two towers, heralded

activities throughout the day.

Chapels between the 16-foot-deep buttresses were added after 1225.

The medieval spire, dismantled in the

1700s, was replaced with a taller

one in the 1800s.

3

3

MEDIEVAL ISLE

The Seine flows around a small island that once held a prison, a royal residence, and several churches.

Royal

Palace

Sainte-Chapelle

Île Saint-

Louis

Notre Dame

de Paris

Île de la Cité

Notre Dame

de Paris

Point of view

shown below

1,000 ft

250 m

GOTHIC GRANDEUR, 12TH CENTURY

Master masons design the cathedral, drawing on their expertise with stone and wood. It’s built on what’s considered to be sacred land of former sanctuaries.

Variations in construction methods suggest that the north and south walls are made by different teams of builders.

TRANSEPT

TREADWHEEL CRANE

COMPRESSION FORCES

Buttresses flank the building to stabilize the tall walls; they transfer forces outward and down, toward the ground.

FLIER

Intricately cut and painted windows depict seasonal and spiritual duties.

BUTTRESS

TEMPORARY WALL

The foundation contains stones repurposed from

fourth-to-12th-century churches on the site.

200 YEARS OF CONSTRUCTION

1163-1182

1182-1220

1225-1350

Construction

begins with

the curved

choir walls.

Services are

held in the choir

as the transept

is being built.

The nave,

bell towers,

and spire are

finished.

AFTER THE 2019 FIRE

Experts evaluate and secure the structure.

Lasers scan for damage. Even the smallest

pieces of material are analyzed.

Rope technicians rappel

from a temporary platform,

removing damaged material.

TEMPORARY ROOF

Hazmat crews clear

toxic lead from surfaces,

dismantle warped

scaffolding, and

catalog fragments.

Custom-crafted wooden braces support stone buttresses and prevent them from pushing

walls inward.

Workers remotely control robots to collect charred

fragments from the ground.

SAFETY NET

All surfaces are vacuumed. A latex mask is applied and delicately peeled off, removing lead.

DAMAGED MATERIAL

ROBOT

FIVE-YEAR RESTORATION

2019-2020

2021-2024

2024

Scaffolding is

taken down by

hand to prevent

collapse.

Timber framing

for roof

and spire is installed.

Major work,

including roof

and vaults, is to

be complete.

A Faithful Restoration

Preservationists, architects, and other experts

spent nearly two years after the April 2019 fire

investigating the best methods to save the cathe-

dral. Modern machinery will assist, but traditional

methods, materials, and hand finishes will ensure

the result closely matches its previous state. Work

will begin with the spire, then move to the roof and

vaults, with the goal of completing the restoration

by 2024.

1

Sequence of the reconstruction

Roof origin

Medieval

19th century

Temporary roof

1

4

2

2

3

Collapsed area

New scaffolding provides support and creates platforms for skilled craftspeople to reach each level. A second, temporary roof will shield

the reconstruction.

PREPARING THE BEAMS

Medieval timbers in the nave and choir will be replaced with beams cut from individual, green oak logs and finished with hand axes. Beams for the 19th-century transept and spire will be cut at sawmills from dried logs.

Medieval

19th century

Reinforcing the vault

Vaults are supported by temporary wooden braces, individually measured to fit each space.

Stone

arch

Stone

vault

Wooden

brace

Platform

Scaffolding

A Divine Ambition

Notre Dame Cathedral has endured

for more than eight centuries. Built to

reflect the church’s spiritual reach, its

audacious, towering walls and but

tresses remain as much a marvel today

as they were in the Middle Ages.

BY FERNANDO G. BAPTISTA,

TAYLOR MAGGIACOMO,

ROSEMARY WARDLEY,

EVE CONANT & PATRICIA HEALY

PUBLISHED JANUARY 18, 2022

Gargoyle 19th century

NOTRE DAME IN THE 14TH CENTURY

The cathedral was commissioned in 1163 by a landowning clergy with power over much of Paris. By the 1300s, the city had become France’s royal, judicial, and intellectual center.

1840s to ’60s, MAJOR RESTORATION

In 1831, The Hunchback of Notre Dame revived interest in the site. Renovations (in green) by architects Eugène-Emmanuel Viollet-le-Duc

and his early partner, Jean-Baptiste Lassus, reflect their interpretations of medieval style.

Bells, encased in two towers, heralded activities throughout the day.

Fearsome and whimsical, grotesques,

or chimeras, are 19th-­century

additions.

Bells, encased

in two towers,

heralded activi-

ties throughout

the day.

Fearsome and whim-

sical, grotesques,

or chimeras, are

19th-­century

additions.

The 28 colossal statues of biblical kings were beheaded in the French Revolution and replaced in the 19th century.

21ST-CENTURY LOSS

Fire broke out under the roof of the cathedral on April 15, 2019, and burned

for 15 hours. The roof and spire were lost, but firefighters saved the building and precious relics.

The medieval spire, dismantled in the 1700s, was replaced with a taller one in the 1800s.

CHOIR

TRANSEPT

AISLE

NAVE

Chapels between the 16-foot-deep buttresses were added after 1225.

FLYING BUTTRESS

ROSE WINDOW

ARCHBISHOP’S PALACE

MEDIEVAL ISLE

The Seine flows around a small

island that once held a prison, a royal

residence, and several churches.

Royal

Palace

Sainte-Chapelle

Notre Dame

de Paris

Île Saint-

Louis

Île de la Cité

Notre Dame

de Paris

Point of view

shown below

1,000 ft

250 m

GOTHIC GRANDEUR, 12TH CENTURY

Master masons design the cathedral, drawing on their expertise with stone and wood. It’s built on what’s considered to be sacred land of former sanctuaries.

Variations in construction methods suggest that the north and south walls are made by different teams of builders.

TRANSEPT

TREADWHEEL CRANE

COMPRESSION FORCES

FLIER

1

1

BUTTRESS

2

2

3

3

TEMPORARY WALL

Buttresses flank the building to stabilize the tall walls; they transfer forces outward and down, toward the ground.

1

1

Intricately cut and painted windows depict seasonal and spiritual duties.

2

2

3

3

The foundation contains stones repurposed from fourth-to- 12th-century churches on the site.

200 YEARS OF CONSTRUCTION

1163-1182

Construction begins with the curved

choir walls.

1182-1220

Services are held in the choir as the transept is being built.

1225-1350

The nave, bell towers, and spire are finished.

AFTER THE 2019 FIRE

Experts evaluate and secure the structure. Lasers scan for damage. Even the smallest pieces of material are analyzed.

Hazmat crews clear toxic lead from surfaces, dismantle warped scaffolding, and catalog fragments.

TEMPORARY ROOF

1

1

2

2

SAFETY NET

3

3

DAMAGED MATERIAL

ROBOT

4

4

Rope technicians rappel from a temporary platform, removing damaged material.

1

1

Custom-crafted wooden braces support stone buttresses and prevent them from pushing walls inward.

2

2

Workers remotely control robots to collect charred fragments from the ground.

3

3

All surfaces are vacuumed. A latex mask is applied and delicately peeled off, removing lead.

4

4

FIVE-YEAR RESTORATION

2019-2020

Scaffolding is taken down by hand to prevent collapse.

2021-2024

Timber framing for roof and spire is installed.

2024

Major work, including roof and vaults, is to be complete.

A Faithful Restoration

Preservationists, architects, and other experts spent nearly two years after the April 2019 fire investigating the best methods to save the cathedral. Modern machinery will assist, but traditional methods, materials, and hand finishes will ensure the result closely matches its previous state. Work will begin with the spire, then move to the roof and vaults, with the goal of completing the restoration by 2024.

1

Sequence of the reconstruction

Roof origin

Medieval

19th century

Temporary roof

1

4

2

2

3

Collapsed area

New scaffolding provides support and creates platforms for skilled craftspeople

to reach each level. A second, temporary roof will shield the reconstruction.

PREPARING THE BEAMS

Medieval timbers in the nave and

choir will be replaced with beams cut from individual, green oak logs and finished with hand axes. Beams for the 19th-century transept and spire will be cut at sawmills from dried logs.

Medieval

19th century

Reinforcing the vault

Vaults are supported by temporary wooden braces, individually measured

to fit each space.

Stone

arch

Stone

vault

Wooden

brace

Platform

Scaffolding

TRADITIONAL ROOFING

The 66-pound copper rooster was found crumpled on a side roof; a new one will replace it at the top of the spire.

Lead will be used once

again to cover the roof,

spire, and sculpted

ornamentation. It’s

long-lasting and

easily molded.

ROOF RE-CREATION

Architects plan to rebuild

the complex medieval

“forest” of oak roof supports, which consisted of robust primary trusses backed up by simpler secondary ones.

ICONIC SPIRE

The old spire crashed through the ceiling vault. The new one will re-create Viollet-le-Duc’s 19th-century, sculpturally detailed model.

Teams of carpenters

in France and the U.S.

devised full-scale truss

models referencing

medieval framing

techniques.

Lead is shaped over iron forms.

BATTEN BOARDS

A wooden spire

that rises some

300 feet from the

ground will be built

in multiple phases,

starting with a

cross-­bracing base.

Phase

LEAD ROOF

Panel thickness

Copper statues were taken down just

days before the fire to restore the badly degraded metal.

1/8 in

SECONDARY TRUSSES

APOSTLES

1

1

PRIMARY TRUSSES

Restored color

Green patina due to weathering

EVANGELISTS

2

2

4

4

3

3

FRAGILE ART

Lead residue will be dusted off of Notre Dame’s

130 stained-glass windows, barely

damaged during the fire. The uppermost 25 windows were removed to prevent accidental breakage.

AISLE

CHOIR

CROSSING

AISLE

TRANSEPT

AISLE

NAVE

Viollet-le-Duc had his face sculpted onto the Apostle Thomas, the patron saint of architects.

Thin, light stones were used as webbing between the arches.

1

1

2

2

Hard, dense stones were used for arches, the skeleton of the building.

3

3

A layer of gypsum plaster laid as a fire stop in the 1800s slowed the 2019 fire.

4

4

Fixing the stone

CLUES IN STONE

Heat damaged 30 percent of the top area of the walls (orange lines). When limestone is heated, it changes color, revealing different levels of damage.

Experts drill small holes into cracked stones, insert pins, and fill them with specialized grout as reinforcement.

Level of thermal stress

Undamaged stone

Holes

Crack

Cracks

Fire

482°

Grout

932°

1292°F

Core sample

Restoring the arches

More than 80 percent of the fallen stones were recovered. They’ll be repaired, or new stones

cut to original specifications.

1

Stones are cataloged and scanned as

three-dimensional images.

Cameras

2

Models, 3D printed, test the probable position of each stone in an arch.

New stones will be cut to replace those lost or structurally unsound.

3

THE SOUND OF HISTORY

The “voice” that reverberated from the grand organ was silenced after lead dust settled within the instrument. An effort to carefully

clean its 8,000 pipes is under way.

32 ft

REVIVING MURALS

Preservationists tested myriad solvents in the lab. They found a gel that could be applied to vacuumed murals to rid them of lead and

pollution without damaging them.

Before

After

Saint-Ferdinand chapel mural

Fernando G. Baptista, Taylor Maggiacomo, Rosemary Wardley, Eve Conant, and Patricia

Healy, NGM Staff; Matthew Twombly.

Sources: Lindsay S. Cook, Ball State U.; Maxime L’Héritier, Paris 8 U.; Stephen Murray,

Columbia U.; Tonya M. Ohnstad, Lorenzo De Almeida, Catholic U. of America; Roxane

Roussel; Dany Sandron et al., Notre Dame Cathedral, 2020; Philippe Villeneuve,

Ministère de la Culture; Laboratoire de Recherche des Monuments Historiques: Thierry

Zimmer; Aurélia Azéma, Delphine Syvilay (metal); Witold Nowik, Marie Parant

(painting); Claudine Loisel, Barbara Trichereau (stained glass); Lise Cadot-Leroux,

Jean-Didier Mertz (stone); Emmanuel Maurin (wood). Mural Photo: Joseph Andaloro.

3D Model: Chantier Scientifique Notre-Dame de Paris; CNRS; French Ministry of Culture;

GEA; Life 3D; MAP; the late Andrew Tallon, Vassar College

The French government has created a special public entity to restore Notre Dame

Cathedral. Follow their work on Instagram @rebatirnotredamedeparis.

Read the full story and listen to the podcast

The 66-pound copper rooster was found crumpled on a side roof; a new one will replace it at the top of the spire.

ICONIC SPIRE

The old spire crashed through the ceiling vault. The new one will re-create Viollet- le-Duc’s 19th-century, sculpturally detailed model.

A wooden spire

that rises some

300 feet from the

ground will be built

in multiple phases,

starting with a

cross-­bracing base.

Phase

Copper statues were taken down just days before the fire to restore the badly degraded metal.

APOSTLES

Restored color

Green patina due to weathering

EVANGELISTS

EVANGELISTS

EVANGELISTS

1

1

2

2

AISLE

AISLE

CHOIR

CHOIR

AISLE

CHOIR

CROSSING

CROSSING

TRANSEPT

TRANSEPT

CROSSING

NAVE

NAVE

TRANSEPT

NAVE

Thin, light stones were used as webbing between the arches.

1

1

Hard, dense stones were used for arches, the skeleton of the building.

2

2

TRADITIONAL ROOFING

Lead will be used once again to cover the roof, spire, and sculpted ornamentation. It’s long-lasting and easily molded.

ROOF RE-CREATION

Architects plan to rebuild the complex medieval “forest” of oak roof supports, which consisted of robust primary trusses backed up by simpler secondary ones.

Teams of carpenters

in France and the U.S.

devised full-scale truss

models referencing

medieval framing

techniques.

BATTEN BOARDS

BATTEN BOARDS

Lead is shaped over iron forms.

BATTEN BOARDS

LEAD ROOF

LEAD ROOF

LEAD ROOF

LEAD ROOF

LEAD ROOF

Panel thickness

1/8 in

SECONDARY TRUSSES

3

3

PRIMARY TRUSSES

4

4

CHOIR

CHOIR

CHOIR

CROSSING

CROSSING

AISLE

AISLE

CROSSING

AISLE

Viollet-le-Duc had his face sculpted onto the Apostle Thomas, the patron saint of architects.

3

3

A layer of gypsum plaster laid as a fire stop in the 1800s slowed the 2019 fire.

4

4

FRAGILE ART

Lead residue will be dusted off of Notre Dame’s 130 stained-glass windows, barely

damaged during the fire. The uppermost

25 windows were removed to prevent accidental breakage.

CLUES IN STONE

Heat damaged 30 percent of the top area of the walls (orange lines). When limestone is heated, it changes color, revealing different levels of damage.

Core sample

Core sample

Core sample

Level of

thermal stress

Undamaged stone

Cracks

Fire

482°

932°

1292°F

Holes

Crack

Grout

Experts drill small holes into cracked stones, insert pins, and fill them with specialized grout as reinforcement.

Restoring the arches

More than 80 percent of the fallen stones were recovered. They’ll be repaired, or new stones cut to original specifications.

1

Stones are cataloged and scanned as three-dimensional images.

Cameras

2

Models, 3D printed, test the probable position of each stone in an arch.

3

New stones will be cut to replace those lost or structurally unsound.

THE SOUND OF HISTORY

The “voice” that reverberated from the grand organ was silenced after lead dust settled within the instrument. An effort to carefully clean its 8,000 pipes is under way.

32 ft

REVIVING MURALS

Preservationists tested myriad solvents in the lab. They found a gel that could be applied to vacuumed murals to rid them of lead and pollution without damaging them.

Before

After

Saint-Ferdinand chapel mural

Fernando G. Baptista, Taylor

Maggiacomo, Rosemary Wardley, Eve

Conant, and Patricia Healy, NGM Staff;

Matthew Twombly.

Sources: Lindsay S. Cook, Ball State U.;

Maxime L’Héritier, Paris 8 U.; Stephen

Murray, Columbia U.; Tonya M. Ohnstad,

Lorenzo De Almeida, Catholic U. of

America; Roxane Roussel; Dany Sandron

et al., Notre Dame Cathedral, 2020;

Philippe Villeneuve, Ministère de la

Culture; Laboratoire de Recherche des

Monuments Historiques: Thierry

Zimmer; Aurélia Azéma, Delphine Syvilay

(metal); Witold Nowik, Marie Parant

(painting); Claudine Loisel, Barbara

Trichereau (stained glass); Lise

Cadot-Leroux, Jean-Didier Mertz

(stone); Emmanuel Maurin (wood).

Mural Photo: Joseph Andaloro.

3D Model: Chantier Scientifique

Notre-Dame de Paris; CNRS; French

Ministry of Culture; GEA; Life 3D; MAP;

the late Andrew Tallon, Vassar College

The French government has created a

special public entity to restore Notre

Dame Cathedral. Follow their work on

Instagram @rebatirnotredamedeparis.

Read the full story and

listen to the podcast